Introduction: The Unlikely Duo Heading to Image Comics
In the landscape of modern creator-owned comics, few pitches manage to balance high-concept absurdity with grounded emotional stakes quite like the latest offering from Image Comics. Set to hit shelves this September, Crimes Against Nature is the highly anticipated neo-noir crime comedy from the creative team of writer Eliot Rahal (Bleed Them Dry, Cult Classic) and artist Mattia Monaco (Eat Your Young, Knock ’Em Dead).
Described by its creators as “Koko the gorilla meets The Usual Suspects,” the series promises a jarring, delightful, and deeply human examination of friendship, set against the backdrop of a cynical Hollywood conspiracy. As Image Comics continues to cultivate its reputation as a home for distinct, genre-bending storytelling, Crimes Against Nature appears poised to be one of the most talked-about launches of the fall season.
Main Facts: The Narrative Hook
The premise of Crimes Against Nature is built on a foundation of professional and personal displacement. The story centers on Dr. Kermit Groedan, a seasoned Hollywood animal trainer, and his primary charge, Amigo the Ape. Amigo is no ordinary primate; he holds the unique distinction of being the first gorilla in history to be nominated for an Academy Award—a fact that serves as the satirical core of the book’s setting.
When the pair finds themselves framed for a high-stakes crime they did not commit, the story shifts from a quirky behind-the-scenes look at the entertainment industry to a desperate, high-octane chase thriller. As Dr. Groedan and Amigo go on the run, they are forced to navigate not only the law but a web of long-buried secrets and institutional conspiracies.

The narrative is designed to test the limits of their bond. While the book is billed as a comedy, the underlying tension relies on the "buddy-crime" dynamic—a trope usually reserved for human detectives, here subverted by the presence of a six-hundred-pound gorilla.
Chronology: The Road to Production
The genesis of Crimes Against Nature is not a sudden occurrence but the result of a long-standing creative partnership between Rahal and Monaco.
- Early Foundations: The two creators first established their professional rhythm on the project Knock ’Em Dead. This early collaboration served as a proving ground for their creative synergy, fostering a level of trust that has only deepened over the years.
- The Development Phase: Following their initial success, both creators spent time refining their individual styles—Rahal delving into darker, genre-focused narratives and Monaco mastering digital workflows.
- The Return to Analog: In early 2026, the two reunited for the Crimes Against Nature project. A significant milestone in the development of the book was Monaco’s decision to abandon six years of digital illustration in favor of a return to traditional pen-and-ink techniques.
- The Official Announcement: In June 2026, Image Comics officially pulled back the curtain on the project, releasing promotional art and confirming a September release date.
- The September Launch: The debut issue is scheduled for release on Wednesday, September 23, 2026, accompanied by a robust slate of variant covers from industry heavyweights, including Tyler Boss and Stipan Morian.
Supporting Data: Artistic Evolution and Visual Scope
One of the most compelling aspects of Crimes Against Nature is the visual language established by Mattia Monaco. For readers following his career, this book represents a "coming home" moment.
The Shift to Traditional Media
Monaco’s transition back to traditional media is not merely a stylistic choice; it is a fundamental shift in the book’s DNA. The tactile quality of pen and ink—the organic lines, the slight imperfections of the brush, and the depth of black-and-white ink work—aligns with the gritty, neo-noir aesthetic of the script.

The Cover Variants
The launch will feature a curated list of covers, highlighting the series’ intersection with wider comic culture. Notably, the inclusion of a Witchblade team-up cover by Gavin Smith suggests that Image Comics is betting heavily on the series’ cross-pollination potential. The full list of contributing artists includes:
- Mattia Monaco: The primary series artist.
- Stipan Morian: Known for his evocative, moody compositions.
- Tyler Boss: Renowned for his experimental layouts and narrative-driven cover work.
- Gavin Smith: Providing the high-profile Witchblade crossover variant.
Official Responses: Insights from the Creative Team
The collaborative process behind Crimes Against Nature is described by the creators as a "special" and "desperate" endeavor—a sentiment that echoes the plight of the characters they have written.
Eliot Rahal on the Partnership
In an official statement, Rahal emphasized that the book represents a career-defining moment. "This story is about two desperate fathers, one at the end of his rope, with nothing left to lose, shooting their shot—and I’m not talking about the characters in our book," Rahal remarked. "I’m talking about Mattia and me. Honestly, working on this book has felt like him and me against the world… It feels like we’re committing a crime together."
Rahal’s remarks underscore the high level of emotional investment placed in the project. He noted that the "lightning in a bottle" feeling of the project is a rare occurrence in his career, and he believes the joy and trust established between him and Monaco are the primary drivers of the story’s resonance.
Mattia Monaco on the Artistic Journey
Monaco provided further context on why this specific project required a return to traditional techniques. "After nearly six years of working digitally, this was the first project that brought me back to pen and ink and gave me a renewed sense of freedom," Monaco said.
Regarding the thematic depth of the story, Monaco added: "It’s a story about a friendship that survives against the odds. It reminds me a lot of Eliot and me. We just haven’t figured out yet which one of us is the gorilla." The humor, he notes, is a necessary shield for the more "heartbreaking and occasionally terrifying" elements of the plot.
Implications: The Future of Buddy-Crime in Comics
The release of Crimes Against Nature arrives at a time when the "buddy-comedy" genre is seeing a resurgence in independent comics. However, the success of this title will likely hinge on whether it can maintain the balance between its high-concept premise and its emotional core.
The Hollywood Satire Factor
By setting the story in the hyper-competitive world of Hollywood, Rahal is positioning the book to be a critique of the entertainment industry. The irony of an Academy Award-winning gorilla being treated as an object of commerce rather than a living being is a ripe target for social commentary. If executed well, this could elevate the book beyond a simple genre exercise into something more biting and relevant.

The "Image" Standard
Image Comics has historically been the publisher of choice for creators looking to push the boundaries of visual storytelling. By supporting a book that leans into both traditional art techniques and eccentric, non-traditional protagonists, the publisher is continuing its tradition of betting on creator-driven, singular visions rather than mass-market tropes.
Market Outlook
As of June 2026, pre-orders and industry chatter suggest that Crimes Against Nature will be a focal point for independent comic shops. The combination of a strong, established writer like Rahal and the "event" nature of Monaco’s return to traditional ink work creates a powerful marketing hook.
Conclusion
Crimes Against Nature is more than just a story about a man and a primate on the run; it is a meditation on the nature of creative partnership and the resilience of friendship under pressure. Whether it is the visual spectacle of Monaco’s ink-heavy panels or the sharp, cynical wit of Rahal’s script, the project is clearly aiming for a high bar.
For readers seeking a narrative that refuses to be categorized—a blend of the absurd, the tragic, and the thrilling—the late September release of Crimes Against Nature will be a date to watch. As the creative team prepares to launch their story into the world, the final question remains: which one of them is the gorilla? Perhaps, as the first issue unfolds, the audience will find the answer—or perhaps, they will realize that in a world as chaotic as the one depicted in the comic, the labels matter far less than the loyalty shared between friends.








